La casa de Piranesi no es un edificio cualquiera: sus habitaciones son monumentales, con paredes llenas de miles de estatuas, y sus pasillos, interminables. Dentro del dédalo de corredores hay un océano aprisionado en el que las olas retumban y las mareas inundan los aposentos. Pero Piranesi no tiene miedo: comprende las embestidas del mar igual que el patrón del laberinto, mientras explora los límites de su mundo y avanza, con la ayuda de un hombre llamado El Otro, en una investigación científica para alcanzar El Gran Conocimiento Secreto.
Inhaltswarnung
Discussion of plot and reveal of mystery. Don't spoil it for yourself!
I enjoyed this. It's a short read. Felt like a good mystery novel? What I mean by paganism is by the way Piranesi himself resorts to the sort of ancient state that the antagonists of the novel desire. But I feel that this 'ancient state,' of nature/environment worship is idolized (ironically). Yet even in the midst of his Pagan consciousness, Piranesi analyzes things in the scientific tradition by cataloguing the labyrinth and his journals (hence scientific paganism).
If you have learned anything about ancient history, I think it is hard to come to the conclusion that Pagan worship and rituals are the coolest thing about ancient people (child sacrifice and self mutilation guys!). This isn't really a review of the novel or the writing (which are good), but the subtext. I was not as immersed as I wanted to be. Though the House itself stuck in my mind, I wanted more from the ending. Also I might have just missed this, but is leaving the Labyrinth really as easy as walking through the door in the First Vestibule? In that case, couldn't Piranesi have left before the book even started? Anyway. I did enjoy it, but it didn't change my life. The presentation was creative.
sentinme atrapado pola Casa (o Mundo) de Piranesi, polo xeito en que describe todos os seus currunchos, as proporcións dos espazos, as alegorías que representan os elementos decorativos, os meteoros, a súa relación coa Casa, como se sinte agradecido e bendecido, como comparte (ao seu xeito) esas bendicións.
Que en dous días lese a novela xa fala do xeito en que me metín nela.
A historia... non vou contar nada para non quitarlle a emoción do descoñecido e de onde procede todo ese fluxo de pensamento compartido en primeira persoa.
Quizás algo positivo pero que no momento me fixo dubidar: durante unhas cuantas páxinas tiven a impresión de estar lendo unha novela de Dan Brown, diosmeperdone, pero non, non tirou por esa parte, se non por salientar a beleza e a bondade.
This was a lovely, interesting, engaging book. It was rammed with Narnia references that you simply wouldn't have noticed if you happened not to be familiar with Narnia, but which were huge fun if you were. Piranesi himself was likeable, and I rooted for him from the start, even as he started to understand that he hadn't always been a person he could like.
But so many world-building questions were left completely unanswered!
This was a lovely, interesting, engaging book. It was rammed with Narnia references that you simply wouldn't have noticed if you happened not to be familiar with Narnia, but which were huge fun if you were. Piranesi himself was likeable, and I rooted for him from the start, even as he started to understand that he hadn't always been a person he could like.
But so many world-building questions were left completely unanswered!
I loved the world in which this story is set. An infinite labyrinth of statues and sea, occupied by characters that I wanted deeply to know more about.
You follow the story through the journal of the point of view character. The best parts of the story are, to me, when the writer's and the reader's understanding of events diverge. It felt like a Hitchcock movie, where I, with full access to the main character's thoughts, started coming to different interpretations of information they've received - and what I knew compelled me to keep reading in hopes that the main character would catch up. I also appreciated the themes of the story: kindness, interaction with place, memory, ambition.
I loved the world in which this story is set. An infinite labyrinth of statues and sea, occupied by characters that I wanted deeply to know more about.
You follow the story through the journal of the point of view character. The best parts of the story are, to me, when the writer's and the reader's understanding of events diverge. It felt like a Hitchcock movie, where I, with full access to the main character's thoughts, started coming to different interpretations of information they've received - and what I knew compelled me to keep reading in hopes that the main character would catch up. I also appreciated the themes of the story: kindness, interaction with place, memory, ambition.
A beautiful reflection on the human condition. And an absolute masterclass in world building. Unlike other fantasy novels, the world is not very deep, but the way it is revealed and layered through the eyes of the protagonist is unlike anything I've read before.
A beautiful reflection on the human condition. And an absolute masterclass in world building. Unlike other fantasy novels, the world is not very deep, but the way it is revealed and layered through the eyes of the protagonist is unlike anything I've read before.
Lu en cinq jours. Difficile exercice que de le résumer, et il n'est pas certain que cela serve à grand chose. Piranesi vit et explore La Maison Éternelle, peuplées de Statues gigantesques et d'Oiseaux. Le livre est captivant sur son début, où il en dit peu sur le pourquoi et montre cette Maison.
J'ai reçu cette lecture à un moment où j'avais besoin d'évasion, de plonger un peu en moi. La Maison Éternelle a constitué tout à la fois un échappatoire, un lieu de méditation et de refuge. Une réalité à expérimenter plutôt qu'une énigme à déchiffrer.
Lu en cinq jours. Difficile exercice que de le résumer, et il n'est pas certain que cela serve à grand chose. Piranesi vit et explore La Maison Éternelle, peuplées de Statues gigantesques et d'Oiseaux. Le livre est captivant sur son début, où il en dit peu sur le pourquoi et montre cette Maison.
J'ai reçu cette lecture à un moment où j'avais besoin d'évasion, de plonger un peu en moi. La Maison Éternelle a constitué tout à la fois un échappatoire, un lieu de méditation et de refuge. Une réalité à expérimenter plutôt qu'une énigme à déchiffrer.
This book started off strange and developed into a lovely mystery that I had fun unraveling alongside the narrator.
Susanna Clarke uses her descriptions of the narrator's environment to the fullest degree. What at first I found a confusing place was clear once the narration started. Piranesi is such an interesting character, and his voice in this book is unlike most others I've read.
4/5. This book is so creative, intriguing, and only the very beginning was hard to understand. I've never read a book like Piranesi, but I hope to find many more.
This book started off strange and developed into a lovely mystery that I had fun unraveling alongside the narrator.
Susanna Clarke uses her descriptions of the narrator's environment to the fullest degree. What at first I found a confusing place was clear once the narration started. Piranesi is such an interesting character, and his voice in this book is unlike most others I've read.
4/5. This book is so creative, intriguing, and only the very beginning was hard to understand. I've never read a book like Piranesi, but I hope to find many more.
Splendid tale, in a symbolic setting which is strikingly and evocatively minimal.
4 Sterne
Inhaltswarnung
Minor spoiler, which reveals a mid-book event which is very different in setting than the consistency of the opening chapters might suggest.
I really enjoyed this. I was captured by the reliable hook of an initially confounding fantastic or symbolic setting, gradually made comprehensible as information is revealed and the reader acclimatizes to the concepts in play. The infinite architectures of The House reminds me of the similarly spectacular House of Leaves, or the YouTube Backrooms phenomenon. It makes me want to revisit the symbolic locations of Banks "The Bridge". It reminds me of deeply evocative late nights, lost in endless videogame worlds.
About 2/3 of the way through, I caught a reference as a character is using childhood memories as part of a ritual to reopen a doorway to a lost world, from the rose garden of his childhood home. As potential doorways begin appearing, he notes "The color of the roses was supernaturally bright."
This is no doubt a deliberate reference to Aldus Huxley's "Doors of Perception" (bookwyrm.social/book/168195/s/the-doors-of-perception-and-heaven-and-hell-perennial-classics), a trip report on the opening of said doors during the psychedelic experience of mescaline, in which repeated reference is made to a supernaturally bright and vivid vase of flowers, "shining with their own inner light and all but quivering under the pressure of the significance with which they were charged".
This is one of those books that's unlike any other. It's surreal and dreamy and the sheer "what the heck's going on?" factor compelled me to read it all in one day.
A novel like this - light on plot, with an extremely limited cast of characters, told in an epistolary style - really sinks or swims on the narrative voice. Luckily the titular Piranesi is fun to read, and comes across as practical and clever, curious and sweet. His ignorance is charming rather than frustrating, and of course his naivete is all part of the mystery.
Highly recommended to anyone who loves an atmospheric and/or experimental story.
This is one of those books that's unlike any other. It's surreal and dreamy and the sheer "what the heck's going on?" factor compelled me to read it all in one day.
A novel like this - light on plot, with an extremely limited cast of characters, told in an epistolary style - really sinks or swims on the narrative voice. Luckily the titular Piranesi is fun to read, and comes across as practical and clever, curious and sweet. His ignorance is charming rather than frustrating, and of course his naivete is all part of the mystery.
Highly recommended to anyone who loves an atmospheric and/or experimental story.
I read this aloud as a bedtime story for a couple of months, and it worked really well. Mostly very short chapters mean plenty of built-in 'another chapter?' breaks; beautiful contemplative descriptions full of wonder, especially in the first half of the book; occasionally gently funny and slow-paced until the last fifth or so. Like Clarke's previous book, Piranesi has a style inspired by historical writing, this time 18th c British diaries, which was a plus for me (I was also reading an actual 18th c diary coincidentally, which was nice. Thomas Hollis' diary is available for free online & his handwriting is very readable...!). It's a lot shorter and less dense than Jonathan Strange & Mr Norrell, quiet, often contemplative, and lovely to read.
Spoilers below:
Strong plural vibes in this book, that don't end up (afaik as a non plural person) in any of the bad plural character holes.
I kept expecting the European Enlightenment style of the House and Piranesi's initial narration to be reframed from a beautiful and wise force to something reflecting the evils of actual Enlightenment thought & politics, but it ended up as mostly an aesthetic choice, if I'm not missing something. It's a very well executed book and, for example, the capitalization serves a narrative purpose very well, but I am a little wary or weary of mobilization of the neoclassical aesthetics of the Enlightenment, & Enlightenment-inspired exploration and categorization, to represent wisdom, truth, peace, tolerance etc without any acknowledgement of the slave trade & colonization that many of its thinkers were supported by and ideas were formed in response to. This is a mostly unformed thought and I have not read anything outside the book on its approach.
I really enjoyed the book, the smaller world that the protagonist lives in is very simple and is intriguing, but not somewhere I feel I need to return to. The larger universe though is interesting, with its reality plus a little magic vibe. I enjoyed the unravelling mystery and it compelled me to read it much faster than I've read books of similar size. The first few chapters describing the House reminded me of the descriptions of The Sleeper Service in Iain M Banks' book Excession. To the point where I thought the book was going to go in a sci-fi direction.
I really enjoyed the book, the smaller world that the protagonist lives in is very simple and is intriguing, but not somewhere I feel I need to return to. The larger universe though is interesting, with its reality plus a little magic vibe.
I enjoyed the unravelling mystery and it compelled me to read it much faster than I've read books of similar size.
The first few chapters describing the House reminded me of the descriptions of The Sleeper Service in Iain M Banks' book Excession. To the point where I thought the book was going to go in a sci-fi direction.
